- Melanie Sarantou, Taina Kontio and Satu Miettinen
- melaniesarantou@gmail.com
- University of Lapland, Finland
Abstract
The Hero’s Journey is an embodied game activity based on the monomyth of Joseph Campbell (1949). This participatory art-based activity served as a research instrument in a development context in southern Africa with marginalised San youth. One of the outcomes of employing this art-based activity in research was the development of the GRACE model which encompasses grass-root participation, art, creativity, embodiment, expression and empowerment. This paper asks how participatory and art-based methods enable the dialogical and solution orientated GRACE model to function in development work within marginalised communities. The paper discusses how improvisation facilitates power distribution when participatory art-based methods are applied. Improvisation permits continuous negotiation processes with stakeholders, thus enabling communities to participate in development activities in power sensitive settings.
